û®‰i‹»@LAI YUN-HSIN















1963~
‘ä˜pÈ²‰»Œ§‚ɐ¶‚Ü‚ê
1983~86
‘—§‘ä˜pŒ|pê‰ÈŠwZ’¤‘Y‰È‘²‹Æ
1993~99
‘½–€”üp‘åŠw’¤‰ÈŠw•”‹y‚Ñ‘åŠw‰@C—¹
1999~02
‹à‘ò”üpHŒ|‘åŠw‘åŠw‰@”ŽŽmŒãŠú‰Û’ö’¤êUC—¹
2002~04
‘—§‘ä˜pŒ|p‘åŠw“`“HŒ|Šw‰È•—‹³Žö
2004~
‘å—t‘åŠw‘¢Œ`Œ|pŠw‰È•—‹³Žö
2007~09
‘å—t‘åŠw‘¢Œ`Œ|pŠw‰ÈŠw‰È’·
2009~17
‘—§‘ä˜pŒ|p‘åŠw’¤Šw‰È•—‹³Žö
2018~
‘—§‘ä˜pŒ|p‘åŠw’¤Šw‰È‹³Žö


2002
Œ|p”ŽŽm:‹à‘ò”üpHŒ|‘åŠww‰~‹ó•§˜_l ˆê’¤‰È‚©‚ç‚ÌŽ‹“_x
”­•\“WŽ¦
1981
‘æ28‰ñ’†•””üp“W——‰ï“ü‘I
1985
‘æ40‰ñ‘ä˜pÈ”üp“W——‰ï“ü‘I
‚—YŽs”üp“W——‰ï“ü‘I
1986
74”N“x‘—§‘ä˜pŒ|pê‰ÈŠwZ’¤‘Y‰È“W@‘Y‘¢•”‹y‚Ñ—nÚ•”‘æˆêˆÊA–Ø’¤•”—D‘I
‘S‘”üp“W——‰ï“ü‘I
1995
ŒÂ“Wi‘æŽO‰ñ’¤‰ÆƒŠƒŒ[“Wj@ƒMƒƒƒ‰ƒŠƒXƒy[ƒXŸà‘Š–ÍŒ´Žs
‘æ80‰ñ“ñ‰È“W‰“ü‘Ii2002‚Ü‚Å–ˆ”No•ij@“Œ‹ž“s—§”üpŠÙ
1996
‘æ81‰ñ“ñ‰È“W“Á‘I@“Œ‹ž“s—§”üpŠÙ
1997
t‹G“ñ‰È“Wµ‘ҏo•i@“Œ‹ž‹âÀ
‘掵‰ñŒ»‘ã“ú–{‹ïÛ’¤“W—DGÜ@ç—tŒ§—§”üpŠÙ
1998
–Ø‚Æ‚ÌŒê‚ç‚¢“W@•xŽRŒ§V–©Žs’†‰›•¶‰»‰ïŠÙ
1999
‹à‘òŒ»‘ã’¤“W‚X‚Xo•i@‹à‘òŽs
2000
•½¬\“ñ”N“x•¶•”ÈˆÏúŽ–‹Æue‚µ‚Þ”Ž•¨ŠÙ‚­‚èvwŽq‹Ÿ‚Ì‚½‚ß‚Ì“W——‰ïxµ‘ҏo•i@ç—tŒ§—§”üpŠÙ
‘Û’O“ìƒA[ƒg2000ƒtƒFƒXƒeƒBƒoƒ‹ii•¶jj@•ŸˆäŒ§•¶Žs
–k—¤’†“ú“W“ü‘I@ÎìŒ§—§”üpŠÙ@‹à‘òŽs
2001
‹à‘òŒ»‘ã”üp“W“ü‘I@ÎìŒ§—§”üpŠÙ@‹à‘òŽs
–Ø‚Æ‚ÌŒê‚ç‚¢“W@“Œ‹ž¹˜H‰Á‘Û•a‰@
ŒÂ“W@ƒXƒJƒCƒhƒA@ƒA[ƒgƒvƒŒƒCƒXÂŽR@“Œ‹ž
‹à‘òŒ»‘ã’¤“W2001o•i@‹à‘òŽs
2002
–Ø‚Æ‚ÌŒê‚ç‚¢“W@“Œ‹ž¹˜H‰Á‘Û•a‰@
2003
‘oŒÂ“W@‘nì˜_’d@’Á°‹È•’n––å@‚—YŽs—§”üpŠÙ
2004
‘oŒÂ“W@’Á°‹È•’n––å@ŽO‹`–Ø’¤”Ž•¨ŠÙ
2005
—Š‰i‹»–Ø’¤ŒÂ“W@“ŒŒà‘åŠw—VŒ|Lê@‘ä–kŽs
ƒIƒZƒAƒjƒA‘Û–Ø’¤Œ|pŒð—¬“Wo•i@ŽO‹`–Ø’¤”Ž•¨ŠÙ
2006
‘³’¿’¤‘Y“Wo•i@–¼“WŒ|p‹óŠÔ@‚—YŽs
ƒAƒWƒAŒ»‘ã’¤‰Æ‹¦‰ï’¤‘Y“Wo•i@‘ä–k‰ØŽR•¶‰»‰€‹æ
co6‘ä˜p‘O‰qƒhƒLƒ…ƒƒ“ƒg“ü‘I@‘—§‘ä˜p”üpŠÙ
co6‘ä˜p‘O‰qƒhƒLƒ…ƒƒ“ƒgƒZƒŒƒNƒg“W@‘ä–k‘äV‹àTƒr[ƒ‹ˆê
2007
‘ä˜p–Ø’¤Žå‘è“W|–Ø’¤–Ê‘ŠÑ˜^@ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘æ11‰ñ—T—²‹DŽÔ–Ø’¤‘nV§•]R“Á•ÊÜ
‘æ92‰ñ“ñ‰È“W“ü‘I@‘—§V”üpŠÙ@“Œ‹ž˜Z–{–Ø
2008
‘Û‘ä˜p–Ø’¤‹£æΓü‘I@ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘Y–½˜_|‘å—t‘åŠw‘¢Œ`Œ|pŠw‰È“D‘YH–[Žt¶ƒOƒ‹[ƒv“W@²‰»Œ§•Ÿ‹»’‘q
wŽ©‘œx2008—Š‰i‹»–Ø’¤ŒÂ“W@Ã‹X‘åŠwŒ|pƒZƒ“ƒ^[
FIB 2008@Fusing International Biennale 2008 o•i@²‰»Œ§•Ÿ‹»’‘q

2009
La Forma No.05 OPA Gallery “Œ‹ža’J
–Ø‚Æ‚ÌŒê‚ç‚¢“W “Œ‹ž¹˜H‰Á‘Û•a‰@
2009-10 ‘ä˜pV.S.ƒXƒyƒCƒ“‘Û–Ø’¤Œ|pŒð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ•ƒXƒyƒCƒ“
uTouch Gallery-Le Mouvement Sculpture v ‚—YŽs”üpŠÙ
¢‘ã‚̊ԁ\ ‘—§‘ä˜pŒ|p‘åŠw’¤‘Y‰È‹³Žö“W ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
‘—§‘ä˜pŒ|p‘åŠw’¤‘YŠw‰ÈŠw‰È“Wo•i ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹ ƒhƒ[ƒCƒ“ƒO “W ‘—§ƒ\ƒEƒ‹‘åŠwŒ|p”Ž•¨ŠÙ
2010
éGŒ|E‘ñ–²-—¬–Ø‘nˆÓ‘åÜƒVƒ“ƒ|ƒWƒEƒ€ \ŽOs”Ž•¨ŠÙ—zŒõLê
‘ä˜pl? ‘ä˜pŠç 20 †‘qŒÉ
•¨Ž¿•¨Œêu–؁v Žé–Á”üpŠÙ
‘ÛŒð—¬ì•i“W ’†³‹I”O“°A‘ä˜pŒ|p‘åŠwAV‘‘•¶‰»Œ|pƒZƒ“ƒ^[
‘ä˜p•“ú–{ ‘Û–Ø’¤Œ|pŒð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
–Ø‚Æ‚ÌŒê‚ç‚¢“W “Œ‹ž¹˜H‰Á‘Û•a‰@
‘—§‘ä˜pŒ|p‘åŠw’¤‘YŠw‰ÈŠw‰È“Wo•i ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
‘äŒ|‘å? Œ×¢‹Id“`-‹³Žö‘nì“W ‘•ƒ‹L”OŠÙ
‘æ1 ‰ñƒVƒ…[ƒY ƒ{ƒbƒNƒX ƒXƒJƒ‹ƒvƒ`ƒƒ[“W ‘—§‘ä˜pŒ|p‘åŠw
2011
‘æ37 ‰ñƒ‰ƒUƒŒƒAƒLƒƒƒXƒg‘Û‘nìƒVƒ“ƒ|ƒWƒEƒ€ ƒ‰ƒUƒŒƒAƒLƒƒƒXƒg ƒnƒ‹ƒMƒ^Œ§ ƒ‹[ƒ}ƒjƒA
uŽ©‘RD‘Θb-—¬–؂̉́v–Ø’¤ƒVƒ“ƒ|ƒWƒEƒ€ ²‰»Œ§ŒkBŒö‰€
‘—§‘ä˜pŒ|p‘åŠw’¤‘YŠw‰ÈŠw‰È“Wo•i ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
‘æ2‰ñƒVƒ…[ƒY ƒ{ƒbƒNƒX ƒXƒJƒ‹ƒvƒ`ƒƒ[“W ‘—§‘ä˜pŒ|p‘åŠwA´‰Ø‘åŠwA’W…Œ|pƒAƒgƒŠƒG
ISF2011 ƒ\ƒEƒ‹‘Û’¤ƒtƒFƒXƒeƒBƒoƒ‹Seoul Arts CenteriHangaram Art Museumj
Œš‘100 ”N–Ø’¤100-‘ä˜p–Ø’¤‚ÌŽž‘ãV‹`“Á“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
Œš‘•S”N‘Û–Ø’¤Œ|pŠˆ“®ƒVƒ“ƒ|ƒWƒEƒ€ “Œ¨—Ñ‹Æ•¶‰»‰€‹æ
‘Û–Ø’¤Œð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘æ4‰ñu’¤ŒÜ? Žµ? ŒÜv‘ÛŒ|p‘åŠwŒð—¬“W ŠÖ“n”üpŠÙ ‘ä–kŽs
–Ø‚Æ‚ÌŒê‚ç‚¢“W “Œ‹ž¹˜H‰Á‘Û•a‰@
‘æ16 ‰ñƒAƒWƒAŒ»‘ã’¤‰Æ‹¦‰ïŽl‘å“sŽsŒð—¬“W •Ÿ‰ªƒAƒWƒA”üp“W
2012
‘æ17 ‰ñƒAƒWƒAŒ»‘ã’¤‰Æ‹¦‰ïì•i“WArt Factory, Korea Heyri Art Village
2012 ‘äŠØ‘Û”üpŒð—¬“W ‘—§‘ä˜pŒ|p‘åŠw
‘—§‘ä˜pŒ|p‘åŠw’¤‘YŠw‰ÈŠw‰È“Wo•i ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
La Forma No.08 OPA Gallery “Œ‹ž
u2012 ƒnƒ“ƒKƒŠ[ ƒlƒCƒ`ƒƒ[ ƒA[ƒg ƒVƒ“ƒ|ƒWƒEƒ€vFARKASK?NBME, villege Noszvaj, Hungry
2012 ‘ÛŒð—¬ì•i“W ‘åç· Œc–k ƒfƒUƒCƒ“ ƒZƒ“ƒ^[ ‘å緑åŠw
2012 ‘Û–Ø’¤Œ|pŒð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘æ3 ‰ñƒVƒ…[ƒY ƒ{ƒbƒNƒX ƒXƒJƒ‹ƒvƒ`ƒƒ[“W
‘—§‘ä˜pŒ|p‘åŠwAOŒõ‰ÈŠw‹Zp‘åŠwA”“ñ“Á‹æAŒÕ”ö‰ÈŠw‹Zp‘åŠwTMT “W|‘½–€”üp‘åŠwZ—F‰ï‘ä˜pŽx•”“W 92 Œ|•¶ƒZƒ“ƒ^[
2013
La Forma No.09 OPA Gallery “Œ‹ž
‘—§‘ä˜pŒ|p‘åŠw’¤‘YŠw‰ÈŠw‰È“Wo•i ‘—§‘ä˜pŒ|p‘åŠw”Ž•¨ŠÙ
Œ}Œü•—‰Ø|‘Û–Ø’¤Œð—¬“W ˆ¢—¢ŽRÀ•½‰w
’†‰Ø‰æ‰@Œ|p‘å“W ‘•ƒ‹I”O“°’†ŽR‘‰Æ‰æ˜L
‘æ21 ‰ñ‘å“cŒ´ŽsŠX‚©‚Ç”üpŠÙ ‘å“cŒ´Žs•‰H’¬æµ“@
’¤‚ÌŒÜ? Žµ? ŒÜ|Œ`‚ʼnr‚Þ ‰œ‚̍ד¹|
‰«“ꌧ—§Œ|p‘åŠw•t‘®}‘ŠÙAŒ|pŽ‘—¿ŠÙA‰«“ꌧ—§”üpŠÙŒ§–¯ƒMƒƒƒ‰ƒŠ[A‹{éŒ§—§”üpŠÙŒ§–¯ƒMƒƒƒ‰ƒŠ[
2013 ‘Û–Ø’¤Œ|pŒð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘æ4 ‰ñƒVƒ…[ƒY ƒ{ƒbƒNƒX ƒXƒJƒ‹ƒvƒ`ƒƒ[“W ‘ä˜påY‘å
•cŒIŒ§102 ”N“x•cŒI”üp“Wµ‘ҏo•i •cŒIŒ§•¶‰»ŠÏŒõ‹Ç
w㋏³&ŠJ‘nx“ŒŠCš Û‘³’¿è¸‘Y“W “ŒŠC‘åŠwŒ|pƒZƒ“ƒ^[ ‘ä’†Žs
w‰äX‚Ì‘O‚ɉ½‚©‚ ‚èHxƒ|ƒXƒgƒGƒNƒXƒyƒ“ƒVƒ‡ƒ“ ƒGƒ‹ FORMOSA ƒXƒJƒ‹ƒvƒ`ƒƒ[ ƒrƒGƒ“ƒi[ƒŒ ”“ñŒ|p“Á‹æThe Pier-2 Art Center
2014
La Forma No.10 OPA Gallery, tokyo, Japan
‘—§‘ä˜pŒ|p‘åŠw’¤‘å“W ‘ä˜pŒ|‘å
17th “ߐ{–쌴š ÛåYp‘nìšzÝ‘å“cŒ´ ‘å“cŒ´ŽsŒ|p•¶˜aŒ¤‹†Š
‘æ99 ‰ñ“ñ‰È“W ˜Z–{–Ø ‘—§V”üpŠÙ
2014 ‘勴踑YåYp“W 2014Xiluo Modern Art Festival, Annual ¼—†‘å‹´‘ä˜p
2015
ŽO‹`‘Û–Ø’¤Œð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
Exchange Exhibition National Taiwan University of Arts-Tianjin Acadimy of Arts, Tianjin Acadimy of Art
HAIKU Sculpture 2015 Thailand
2016
ART TAIPEI 2016 ‘ä–k
2016 ŽO‹`‘Û–Ø’¤Œð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ Suan Pakkad Palace Museum Bangkok
2017
ŽO‹`‘Û–Ø’¤Œð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙArt &Creative Expo Taiwan
–¼‰Æ’¤‘Y—ü“W Ê‰_Œ|p‹óŠÔ
La Forma No.13 - OPA Gallery, tokyo, Japan
‰«“êE‘ä˜pŒ|p‘åŠwŒð—¬“W ‰«“ꌧ—§‘åŠw
’¤‚̌܎µŒÜ“W —Žq”üp‘åŠw
‘æ8 ‰ñƒVƒ…[ƒYƒ{ƒbƒNƒX’¤“W ‘ä˜pŒ|‘å
‰©žÛŒ|pŠJ–‹“W ‰©žÛŒ|p ’W…
2018
La Forma No.14 - OPA Gallery, tokyo, Japan
¬àu•’ª?‰«“ê‘ä˜pŒ»‘ã”üpŒð—¬“W V•láù“ªŒ|p‹óŠÔ
The 35th Annual Sculpture Survey by Gomboc Gallery and Sculpture Park,Western Australia
‘ä˜p–Ø’¤“ìŒüŒð—¬“W ŽO‹`–Ø’¤”Ž•¨ŠÙ
‘æ9‰ñƒVƒ…[ƒYƒ{ƒbƒNƒX’¤“W ‘ä˜pŒ|‘å
2019
y˜Q’ªz‘ä˜p‹ïÛ–Ø’¤Œ|p50 ”N Ê‰_Œ|pƒVƒ“ƒKƒ|[ƒ‹ ƒVƒ“ƒ|ƒWƒEƒ€ Pasir Ris park
ƒAƒWƒA‚Ì’¤‚ÌŒ»Ý|‘ä˜p ‰«“ꌧ—§Œ|‘å
‘ä˜pŒ|p‘åŠw’¤‘Y”N“x“W ‘ä˜pŒ|p‘åŠw
La Forma No.15 - OPA Gallery, tokyo, Japan
ŽOl’¤‘Y—ü“W “Œâ߉æ˜L
Seoul Art Expo Kangnam Coex Hall (Kangnam Seoul Korea)
2019 ‘Û–Ø’¤Œ|pŒð—¬“WgX‘ԁh ŽO‹`–Ø’¤”Ž•¨ŠÙ
u踑Y? —VE? ê? Sculpture.Play.Groundv
’¤‚̌܁EŽµEŒÜ g HAIKU-Sculpture2019 in OKINAWA h International Exhibition for Art Universities ‰«“ꌧ—§Œ|‘å u‘½–€”üp‘åŠwZ—F‰ï‚RŽx•”‡“¯“W ŠØ‘Žx•”~‘ä˜pŽx•”~_“ސìŽx•”v
‘æ\›œ‘³’¿è¸‘Y“WThe 10th International Shoebox Sculpture Exhibition
‘æ27 ›œ˜±×˜±Œ»‘ã踍‰Æ‹¦˜ðì•i”N“Wu‹«ŠOvThe Exhibition of Art Works
by The Association of Asian Contemporary Sculpture "Overseas"
2020
‘æ11 ›œš Û‘³’¿è¸‘Y“W ‘ä˜pŒ|p‘åŠw
‹É¬“¯‘å-š Û‘³’¿è¸‘Y“W/Little Big Things-National Shoebox Sculpture
Exhibition RED GOLD FINE ART ‘ä–k
2020 踑YŒn”N“x“W ‘ä˜pŒ|p‘åŠw
La Forma No.16 OPA gallery Tokyo Japan
2021
‘äàs‹L‰¯è¸“W/Sustainable Sculpture IRIYA ƒMƒƒƒ‰ƒŠ[ “Œ‹ž
La Forma No.17 OPA gallery Tokyo Japan
’ª•—‚É‚³‚»‚í‚ê‚ā|G‚ê‚é’¤“W –Ø‘ºŠá‰ÈƒNƒŠƒjƒbƒN•Ÿ“‡Œ§‚¢‚í‚«Žs
ƒpƒuƒŠƒbƒNƒRƒŒƒNƒVƒ‡ƒ“
Eç—tŒ§—§”üpŠÙE’·–쌧XûŽsE‚—YŽs—§”üpŠÙE’†‰Ø–¯‘’†“úŒoÏ•¶‰»‘ã•\ˆE‘ä–kŽs—§•¶¹‘–¯¬ŠwZEŽO‹`–Ø’¤”Ž•¨ŠÙE
‹à‘ò”üpHŒ|‘åŠwE‘“Ô’Á•½—э‘–¯¬ŠwZEÃ‹X‘åŠwE‘å—t‘åŠwE“V’¤”Ž•¨ŠÙ